I was just talking to another artist, Sokuzan Bob Brown, about our favorite painters. I had forgotten the name of one of my favorites, Paula Modersohn-Becker, known for her portraits. She's one of the most important of the German expressionists, but she is often ignored in the U.S. Is it because other people, like me, just forget her name, harder to remember than, say, Max Beckman?
Anyway, I was looking at her work online, after I found a postcard of one of her paintings in my underwear drawer (yes, that's how much of a crush I have; no risk, though, 'cause that grave is long cold) and saw some beautiful landscapes.
I was talking to my sister about how my painting has become more looking than doing, and that it has turned into three hour decision-making sessions, which is exhausting. She said that when she starts having to make decisions she knows she lost the thread somewhere, and has to go under the decision to get back to the senses.
I remember feeling a sort of bodily dance in landscape painting outdoors. I think part of the issue may be that I am using acrylics. They dry so quickly that I have to make many conscious decisions before even mixing them.
Goals, then: get my easel back out of uhaul, since we aren't moving yet-- ditto winter boots; buy prepared canvas, for ease; break out the oils.
(September 25)
Anyway, I was looking at her work online, after I found a postcard of one of her paintings in my underwear drawer (yes, that's how much of a crush I have; no risk, though, 'cause that grave is long cold) and saw some beautiful landscapes.
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Happy day, I had my last chemo (hopefully forever) yesterday! Now to sit out the side effects, which threaten to last longer than last time.
*******************I was talking to my sister about how my painting has become more looking than doing, and that it has turned into three hour decision-making sessions, which is exhausting. She said that when she starts having to make decisions she knows she lost the thread somewhere, and has to go under the decision to get back to the senses.
I remember feeling a sort of bodily dance in landscape painting outdoors. I think part of the issue may be that I am using acrylics. They dry so quickly that I have to make many conscious decisions before even mixing them.
Goals, then: get my easel back out of uhaul, since we aren't moving yet-- ditto winter boots; buy prepared canvas, for ease; break out the oils.
(September 25)